Upė Foundation is a London-based platform that draws currents between global and Baltic art communities through curatorial support, research and commissioning, amplifying adventurous ideas, underexplored perspectives and long-term exchanges across geographies.

First Baltic Curatorial Fellows Announced
Diāna Mikāne, Hayward Gallery
Martyna Ratnik, Camden Art Centre
First Baltic Curatorial Fellows Announced
Diāna Mikāne, Hayward Gallery
Martyna Ratnik, Camden Art Centre

Upė Foundation is delighted to announce that Diāna Mikāne (Latvia) joins the Southbank Centre’s Hayward Gallery and Martyna Ratnik (Lithuania) joins Camden Art Centre, London, as the first Curatorial Fellows from the Baltic region to join UK art institutions through Upė Foundation’s Curatorial Fellowship Programme.

Upė Foundation’s Curatorial Fellowship Programme supports the next generation of curators through 12–18 month, full-time, embedded roles within institutions, combining professional development, research, exhibition-making and public programming.

In her new role, Diāna Mikāne will undertake research on artists from the Baltic region and beyond, supporting the development and delivery of major international exhibitions and programmes at the Hayward Gallery.

At Camden Art Centre, Martyna Ratnik joins the exhibitions team, bringing her specialist knowledge and research into the institution’s curatorial work while contributing to exhibition-making, events and research.

The two Fellows were selected through multi-stage recruitment processes. Final appointments were made following in-person interviews with representatives of each organisation. For the Hayward Gallery Fellowship: Yung Ma, Senior Curator, Hayward Gallery; Suzanna Petot, Assistant Curator, Hayward Gallery; Adomas Narkevičius, Founding Director, Upė Foundation; and Justas Janauskas, Founding Patron, Upė Foundation; and for the Camden Art Centre Fellowship, Martin Clark, Director, Camden Art Centre; Gina Buenfeld-Murley, Exhibitions Curator, Camden Art Centre; and Adomas Narkevičius, Founding Director, Upė Foundation.

Upė Foundation is preparing the next round of its Curatorial Fellowship Programme, expanded to include a Baltic artist residency, followed by a solo exhibition, in partnership with Gasworks, London, with open calls to be announced in Autumn 2026.

For all latest news and open call announcements, please sign up for our newsletter.

About the Curatorial Fellows

Diāna Mikāne

Diāna Mikāne is a curator and artist from Riga, Latvia. Through situated research and collaboration, her practice engages with parafiction as a mode of expression and the politics of space, often in relation to post-socialist conditions in the Baltic region and beyond. Recent work includes exhibitions and artistic projects such as High Beams in Timing Architecture at Part Time Gallery, Riga (2026), Forever Days in Invisible Labour at the National Gallery of Art, Vilnius (2026); Wish Upon a Shooting Star at Living Room, Athens (2024); I hope this email finds you well at InTheCloset, Vilnius (2024); Trembling Ground at VARES Architecture Residency, Valga (2024); as well as contributions to exhibition production at Nida Art Colony of the Vilnius Academy of Arts (2023–24). Mikāne holds an MA from the Art Academy of Latvia and received the ACADEMIA Award, which supported her curatorial fellowship at PUBLICS, Helsinki (2024–25).

Martyna Ratnik

Martyna Ratnik is a Lithuanian cultural worker based between London and Vilnius. With a focus on moving image creation, curation and criticism, her practice searches for ways history can be embodied and transgressed. In addition to working as part of the London Short Film Festival’s curatorial team, Martyna has been developing her independent praxis. Among others, her artistic and curatorial projects have been previously presented at the Institute of Contemporary Arts (ICA), the Independent Vilnius Cinematheque “Meno Avilys”, Lithuania’s National Gallery of Art, European Media Art Festival, BFI London Film Festival, as well as LUX Moving Image. Martyna is the winner of Lithuania’s 2025 Visual Art Criticism Awards, and has been invited as a jury member the year after. She has recently graduated from RCA’s City Design course with a Master’s Thesis on open form institutional design, and is also an alumni of Rupert’s Alternative Education Programme.

first-baltic-fellows-diana-mikane-martyna-ratnik
Upė Curatorial Fellowships
Coming Soon
Camden Art Centre (2026-2027)
Martyna Ratnik
Martyna Ratnik
Camden Art Centre (2026-2027)
martyna-ratnik-at-camden-art-centre

Martyna Ratnik is a Lithuanian cultural worker based between London and Vilnius. With a focus on moving image creation, curation and criticism, her practice searches for ways history can be embodied and transgressed. In addition to working as part of the London Short Film Festival’s curatorial team, Martyna has been developing her independent praxis. Among others, her artistic and curatorial projects have been previously presented at the Institute of Contemporary Arts (ICA), the Independent Vilnius Cinematheque “Meno Avilys”, Lithuania’s National Gallery of Art, European Media Art Festival, BFI London Film Festival, as well as LUX Moving Image. Martyna is the winner of Lithuania’s 2025 Visual Art Criticism Awards, and has been invited as a jury member the year after. She has recently graduated from RCA’s City Design course with a Master’s Thesis on open form institutional design, and is also an alumni of Rupert’s Alternative Education Programme.

As Upė Foundation Curatorial Fellow at Camden Art Centre, Martyna Ratnik joins the exhibitions team, bringing her specialist knowledge and research into the institution's curatorial work while contributing to exhibition-making, events and research. The Fellowship provides an environment for professional development, learning and first-hand experience within one of the UK's leading spaces for contemporary visual art.

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Portrait of Martyna Ratnik, courtesy of Dominyka Gurskaitė
Upė Curatorial Fellowships
Coming Soon
Hayward Gallery (2026-2027)
Diāna Mikāne
Diāna Mikāne
Hayward Gallery (2026-2027)
diana-mikane-at-hayward-gallery

Diāna Mikāne is a curator and artist from Riga, Latvia. Through situated research and collaboration, her practice engages with parafiction as a mode of expression and the politics of space, often in relation to post-socialist conditions in the Baltic region and beyond. Recent work includes exhibitions and artistic projects such as High Beams in Timing Architecture at Part Time Gallery, Riga (2026), Forever Days in Invisible Labour at the National Gallery of Art, Vilnius (2026); Wish Upon a Shooting Star at Living Room, Athens (2024); I hope this email finds you well at InTheCloset, Vilnius (2024); Trembling Ground at VARES Architecture Residency, Valga (2024); as well as contributions to exhibition production at Nida Art Colony of the Vilnius Academy of Arts (2023–24). Mikāne holds an MA from the Art Academy of Latvia and received the ACADEMIA Award, which supported her curatorial fellowship at PUBLICS, Helsinki (2024–25).

In her role as Upė Foundation Curatorial Fellow at the Southbank Centre's Hayward Gallery, Diāna Mikāne undertakes research on artists from the Baltic region and beyond, supporting the development and delivery of major international exhibitions and programmes. The Fellowship is designed to broaden her skill set across the institution, from public engagement to the practical training involved in operations such as producing interpretation materials.

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Portrait of Diāna Mikāne, courtesy of Paula Buškevica
Upė Curatorial Fellowships
Coming Soon
Tallinn Art Hall (2026-2027)
Andrew Cummings
Andrew Cummings
Tallinn Art Hall (2026-2027)
tallinn-art-hall-fellowship

Andrew Cummings is an art historian and curator from Wakefield, UK. Andrew studied for a PhD in Global Contemporary Art History at The Courtauld Institute of Art and Tate, and until 2025 was Postdoctoral Research Fellow at the Decolonising Arts Institute, University of the Arts London. Previous exhibitions, programmes, and events include Dark Factory (MMCA Korea), A History of Future Contagion (Spike Island/The Courtauld) and Museum x Machine x Me (Tate). An alumnus of the Gwangju Biennale International Curators' Course, Andrew’s writing has been published by Tate Papers, Pilot Press, ArtReview, and the Burlington Contemporary.

Andrew Cummings joins Tallinn Art Hall at a pivotal moment in its history, as the institution's landmark site undergoes renovation ahead of reopening in November 2026. He will be responsible for curating the programme of a new black-box space within the historic building, developing exhibitions, screenings, performances, and other public formats in dialogue with Tallinn Art Hall’s wider programme. He will shape the programme in collaboration with the director and curatorial team, while working closely with artists and receiving production support from the institution’s in-house staff.

Portrait of Andrew Cummings, courtesy of Andrew Cummings
Mission & Vision

Upė Foundation is a London-based platform that draws currents between global and Baltic (Lithuanian, Latvian, Estonian) art communities, setting new artistic, curatorial and research possibilities in motion. Upė focuses on horizontal, long-term exchange through a range of partnerships, fellowships and initiatives, amplifying new ideas, risk-taking work and underexplored perspectives. Upė is drawn to a field that is living, cross-disciplinary and imaginative, open to encounters between practices, contexts and communities.

Team

Founding Patron

Justas Janauskas

Founding Director

Adomas Narkevičius

Contact

General enquiries

info@upefoundation.org

Press
isabel@sam-talbot.com

First Baltic Curatorial Fellows Announced
Diāna Mikāne, Hayward Gallery
Martyna Ratnik, Camden Art Centre

Upė Foundation is delighted to announce that Diāna Mikāne (Latvia) joins the Southbank Centre’s Hayward Gallery and Martyna Ratnik (Lithuania) joins Camden Art Centre, London, as the first Curatorial Fellows from the Baltic region to join UK art institutions through Upė Foundation’s Curatorial Fellowship Programme.

Upė Foundation’s Curatorial Fellowship Programme supports the next generation of curators through 12–18 month, full-time, embedded roles within institutions, combining professional development, research, exhibition-making and public programming.

In her new role, Diāna Mikāne will undertake research on artists from the Baltic region and beyond, supporting the development and delivery of major international exhibitions and programmes at the Hayward Gallery.

At Camden Art Centre, Martyna Ratnik joins the exhibitions team, bringing her specialist knowledge and research into the institution’s curatorial work while contributing to exhibition-making, events and research.

The two Fellows were selected through multi-stage recruitment processes. Final appointments were made following in-person interviews with representatives of each organisation. For the Hayward Gallery Fellowship: Yung Ma, Senior Curator, Hayward Gallery; Suzanna Petot, Assistant Curator, Hayward Gallery; Adomas Narkevičius, Founding Director, Upė Foundation; and Justas Janauskas, Founding Patron, Upė Foundation; and for the Camden Art Centre Fellowship, Martin Clark, Director, Camden Art Centre; Gina Buenfeld-Murley, Exhibitions Curator, Camden Art Centre; and Adomas Narkevičius, Founding Director, Upė Foundation.

Upė Foundation is preparing the next round of its Curatorial Fellowship Programme, expanded to include a Baltic artist residency, followed by a solo exhibition, in partnership with Gasworks, London, with open calls to be announced in Autumn 2026.

For all latest news and open call announcements, please sign up for our newsletter.

About the Curatorial Fellows

Diāna Mikāne

Diāna Mikāne is a curator and artist from Riga, Latvia. Through situated research and collaboration, her practice engages with parafiction as a mode of expression and the politics of space, often in relation to post-socialist conditions in the Baltic region and beyond. Recent work includes exhibitions and artistic projects such as High Beams in Timing Architecture at Part Time Gallery, Riga (2026), Forever Days in Invisible Labour at the National Gallery of Art, Vilnius (2026); Wish Upon a Shooting Star at Living Room, Athens (2024); I hope this email finds you well at InTheCloset, Vilnius (2024); Trembling Ground at VARES Architecture Residency, Valga (2024); as well as contributions to exhibition production at Nida Art Colony of the Vilnius Academy of Arts (2023–24). Mikāne holds an MA from the Art Academy of Latvia and received the ACADEMIA Award, which supported her curatorial fellowship at PUBLICS, Helsinki (2024–25).

Martyna Ratnik

Martyna Ratnik is a Lithuanian cultural worker based between London and Vilnius. With a focus on moving image creation, curation and criticism, her practice searches for ways history can be embodied and transgressed. In addition to working as part of the London Short Film Festival’s curatorial team, Martyna has been developing her independent praxis. Among others, her artistic and curatorial projects have been previously presented at the Institute of Contemporary Arts (ICA), the Independent Vilnius Cinematheque “Meno Avilys”, Lithuania’s National Gallery of Art, European Media Art Festival, BFI London Film Festival, as well as LUX Moving Image. Martyna is the winner of Lithuania’s 2025 Visual Art Criticism Awards, and has been invited as a jury member the year after. She has recently graduated from RCA’s City Design course with a Master’s Thesis on open form institutional design, and is also an alumni of Rupert’s Alternative Education Programme.